Film & TV

Review – Rising Tide

A rising tide, to take the phrase in a less literal sense, is the beginning of a movement, the start of something potentially huge. Rising Tide is another entry into the rapidly growing genre of British no-budget filmmaking, and as such the titular metaphor takes on further meaning when you consider it in a wider context. Paranormal Activity is the most well-noted example – made for a mere $15,000, it went on to gross almost $200 million – and in more recent times Monsters and Kill List have proved that both critical and financial success are achievable with minimal investment. Perhaps we are seeing the future of British filmmaking, who knows? The fact remains – you are looking at far less risk and, if you were to stumble upon the occasional hit, potentially large reward.

Rising Tide is not the next no-budget film turned blockbuster, but it achieves in other ways. Take, for example, it’s harnessing of its Northern identity. Set in the North East, it also features an entirely North East cast and includes music exclusively from the North East. This accumulates to create a convincing regional effect – when the setting is so well defined the events that take place seem infinitely more believable, this isn’t just a fictional story set in a fictional place, maybe this is happening right now?

So, what is happening? A group of friends, upon finishing their A-levels, decide to spend one last weekend together. Initially they envisage going to a festival, but after a few unfortunate events they end up stranded, camping on the island of Lindisfarne. When the tide rapidly comes in they realise they’re stuck there for the night. Never mind, it’s not like they invited a mysterious creepy girl along with them, a girl who seems to have a talent for occult-sounding Latin singing and who none of them knew before she was invited on the trip.

Oh wait.

As events take a severely sinister turn, and one-by-one the group begin to mysteriously disappear, it becomes apparent that the tag-along friend has a darker past than she is letting on.

Primarily Rising Tide is a horror film, it exists to make you squirm in your seat, but it infuses elements of other genres, creating something that is difficult to define. Though that’s a positive; generic suspense horror is about as interesting as a brick wall, and also about as a familiar.

As the film moves towards its conclusion you’ll find yourself intrigued to learn exactly what was going on the whole time. Ultimately, it’s a perplexing ending, but not necessarily a bad one – just don’t expect a complete explanation of preceding events.

Barring a few sound glitches, Rising Tide is an impressive production, particularly when considering the budget limitations. It looks great from start to finish, with some noticeable visual flourishes dotted throughout – top marks to the cinematographer. It’s also well paced, with only a few editing creases present.

Overall, an audience in the North-East will get more of a kick out of Rising Tide than most, but there’s enough here to respect for it to be worthy of a wider crowd. Southerners may proclaim ‘It’s grim up North’, on this basis they may be right.

Tom Grater

Film & TVFilm Reviews

Tom is a budding film reviewer, hell bent on providing informed opinions on the latest movie releases to those who need them, whether they like it or not.

5 Comments on this post.
  • Tom Harvey
    13 December 2011 at 12:50
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    The new wave of micro budget movies from the UK is an impressive collection. Sadly what most of them lack is the multi million dollar marketing spend that got behind US hits like paranormal activity. It’s the distribution bottleneck in the UK that stands in the way of wider success for UK micro budget films like Rising Tide. BTW watch out for RISING TIDE 2, now in post!

  • Eddy Haynes
    13 December 2011 at 13:00
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    Sounds good really like into the low budget films like monsters managed to meet gareth Edwards at empire big screen he was really modest laidback guy I think his next film godzilla is going to have a massive budget though

  • dan
    14 December 2011 at 14:22
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    Its clearly based on Ghosts, the Nick Broomfield documentary about the 21 Chinese cockle pickers who died in 2004 in Morecambe Bay when caught by the tide. They were human trafficked over so I suppose you could link that to the human trafficking article on here.

    The documentary is a must-see for many reasons. This sounds like a horrible rip-off of a true disaster. I’m sure the film makers knew about this story too. Cheap in all ways.

  • tomgrater
    14 December 2011 at 18:06
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    Dan, have you seen Rising Tide? It’s clearly not anything to do with the Nick Broomfield documentary.

  • dan
    14 December 2011 at 18:13
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    I havent and have just read the review closer (rather than keywording) and yeah it sounds very different so I take that back 🙂

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