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Annabel D’Monte ‘Horror’ as a genre, has always been quite controversial. People either love it, or refuse to come out from behind the sofa – there is no in-between. So what makes horror so scary? Has the genre re-branded itself in recent years to keep us interested, or have...
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Emily Fletcher In light of the announcement of many of the UK’s largest cinema chains temporarily closing, we decided to check in on Nottingham’s local Savoy Cinema. The venue has sat in the heart of Lenton for 85 years and is known as the only surviving pre-Second World War...
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Gemma Cockrell Horror films are an essential part of the Hallowe’en season, however, with horror being defined as ‘an extremely strong feeling of fear and shock’ – it seems strange that we are so eager to watch something that is made with the purpose and intention to scare us....
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Gemma Cockrell In recent years, there has been a surge in the popularity of online streaming services. With more people opting to stream TV shows on platforms such as Netflix, Amazon Prime, and Now TV, does this mean that less people are reaching to watch classic, well-loved, live TV shows,...
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Sarah Harris Admittedly a little late to join the party, but I finally managed to muster up the courage over lockdown to binge watch The Haunting of Hill House (2018). I’m a huge horror fan, but I also get spooked pretty easily, so I tend to watch whilst cowering...
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Jerome Gerada In recent times, Hollywood has become somewhat of a harbour for negativity, receiving relentless bouts of media-driven criticism – often in the form of hashtag-headed campaigns that sprawl from Twitter to television news in a matter of days. Perhaps it was famously convicted sex offender Harvey Weinstein...
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Annabelle Underdown Barry Jenkins is at the forefront of contemporary cinema – alongside other Black film makers he is a pivotal figure in the integration and celebration of Black stories. From Medicine for Melancholy (2008) to If Beale Street Could Talk (2018), Jenkins has always placed Black love at...