• A Whole New World? Disney’s Exploration into Innovative Storytelling in the Streaming Age

    Disney. It’s safe to say, millions grew up with its tales. From Baby Boomers to Millennials to Gen Z, audiences have witnessed the production company grow and cement its legacy as the multi-media juggernaut that we know today. Streaming is now the modern DVD basket we all had in...
  • Is It Time For Us To #DeleteSpotify?

    A few weeks ago, Neil Young contacted his managers to request that they remove his music from Spotify due to Covid-19 misinformation. The singer stated, “Spotify can have Neil Young or Joe Rogan not both”. The controversy comes after over 270 medical staff wrote an Open Letter to Spotify...
  • “Several Competing Themes” – Film Review: Munich: The Edge Of War

    Less spy thriller and more a focus on the pre-WW2 policy of appeasement, Munich: The Edge of War certainly deals with its subject matter with the depth and complexity that is required. Although the central characters played by George Mackay and Jannis Niewöhner take up most of the screen...
  • Among Us With AOC: Politics and Games Done Right

    Emily Ash Emily examines the impact of Rep. Alexandria Ocasio-Cortez’s presence on Twitch. Among Us has been the latest craze in party games, asking you to stealthily murder your comrades or scream your innocence the loudest if you fail. We’ve covered the games’ ridiculous success before. Despite that, I don’t...
  • Cineworld closures: The changing viewing experience in the isolation age

    Emily Fletcher In another blow to the creative industries, the closure of 127 Cineworld establishments in the UK, and the midweek closure of a quarter of Odeon and Vue’s venues, has brought into question the future of our entertainment industry. With lack of content being produced for distribution, and...
  • The Forgettable Obscurity Of Apple TV+

    Apple TV+ was this week judged “below average” for both value and original programming by the American Customer Satisfaction Index. It has now been over half a year since its launch, so the question is – why has this new streaming service failed to gain traction? While Apple TV+...
  • The Future of Cinema: Franchises – The Original Screenplay or the Empty Seat?

    This autumn saw one of cinema’s biggest box office flops in the form of the Peter Pan remake: Pan. Despite a production budget of $150,000,000 and stars such as Cara Delevigne and Hugh Jackman – cinema goers didn’t bite the bait making it the 8th largest box office fail of all...