• Film Review – 45 Years

    Early on in 45 Years, Tom Courtenay’s Geoff receives a letter from Switzerland pertaining to a significant event (which I will not reveal here) which occurred long before he met his current wife, Charlotte Rampling’s Kate. How quickly this news seeps into and to quote Kate “taints” everything they have...
  • Film Review – Fantastic Four

    In 2005, Tim Story gave us The Fantastic Four, followed in 2007 by Fantastic Four: Rise of the Silver Surfer. Both films were fun but critically ridiculed and the planned third outing was never made. Eight years later, with Chronicle director Josh Trank now at the helm, the Fantastic...
  • Film Review – Mission Impossible: Rogue Nation

    Bearing in mind this new release is the fifth instalment in the series, it would be easy to think that the franchise should have fizzled out by now, ready to be put down like a dog that has lived its life to the fullest. However, Mission Impossible: Rogue Nation...
  • Rewind Review – The Lady From Shanghai

    Orson Welles was weighty. I think that’s universally agreed. Influence-wise, in terms of mythologising and the shadow cast over subsequent Hollywood studio artistry, for sure. Corporeally also, later in life. But additionally in content; often lean in running time, Welles pictures nevertheless feel monolithic. Sometimes for the technical bravura...
  • Short Focus – Pixar’s Lava

    It’s a well-known fact that if it doesn’t have a Pixar short at the start, it’s not a proper Pixar film. Inside Out is no different, accompanied by its own short entitled Lava. Lava is the story of two volcanoes that know each other are nearby but sadly cannot see one another....
  • Film Review – Inside Out

    Pixar, for a long time, has invested in the theme of emotions. ‘What if toys had emotions?’ (Toy Story), ‘What if robots had emotions?’ (WALL·E) etc. But Pixar’s latest release, Inside Out goes one step further, asking ‘What if emotions had emotions?’ But did it succeed in its latest...
  • Film Review – The Gallows

    The ‘found footage’ trope for horror films is rapidly becoming the norm, robbing the genre of much, if not all, its originality. The Gallows tries to do something new with format, but the small change of using not one, but two cameras, has a disappointingly minor effect. Instead, it...