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Hannah Bentley reviews Daisy Norton’s and James Fellas-Laurie’s adaptation of MOJO by Jez Butterworth - a fun and lively production of a dark-humoured play that explores the toxic power dynamics and gangster culture of the Atlantic Club in 1950s London, with unpredictable plot twists....
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Welcome back to another fresh batch of The Curtain Call. The Nottingham New Theatre has been keeping busy creating another season of incredible In-House shows. Tune in to hear all the behind the scenes of the only entirely student-run theatre in England!...
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It’s fair to say that Johnny Depp’s film roles over the past few years haven’t been entirely accurate representations of the talent that has made him a star. His portrayal of a Native American in Lone Ranger sparked controversy, Transcendence was described as bland and anticlimactic, and Mortdecai has deservedly...
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After the exploration of racial politics of ’60’s suburbia in The Help, director Tate Taylor has turned to another iconic aspect of the 1960s American landscape – the music. More specifically, the sheer energy and rambunctiousness of James Brown. Initially limited to predominately black audiences, Mister Brown gradually became increasingly influential...
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Make love, not war. In Edge of Tomorrow there’s a bit of both, but the film balances them surprisingly well. Set in the near future and telling of a Dunkirk-esque alien invasion that (sort of) wipes out mankind, I hadn’t originally held out much hope for this sci-fi effort, as it...