Joe Jones

There are some things you can never un-see. Brian Yuzna’s 1980s ‘body-horror’ is one of them. First released in 1989, almost 30 years ago, it is no less disconcerting for having aged. So, if you’re a horror fans rejoice who couldn’t care less about sleep, this is definitely the...

It’s not every day you get to watch an Ethiopian sci-fi/horror road-trip. For this reason alone, Crumbs is an utterly unique experience. Miguel Llanso has directed many short-films (Where is my Dog, Pero Liquen, First Peasant on Mars), but this is his feature-length debut. Whilst there are a few...

Mayhem is one of the cornerstones of Nottingham’s film culture. Hosted by Broadway cinema, each year it brings a fascinating flavour of niche film-making to a wider audience. With 17 films shown in 4 days, there’s bound to be something which grabs your interest. Earlier in the week we...

Mayhem is one of the cornerstones of Nottingham’s film culture. Hosted by Broadway cinema, each year it brings a fascinating flavour of niche film-making to a wider audience. With 17 films shown in 4 days, there’s bound to be something which grabs your interest. Earlier in the week we...

Mayhem is one of the cornerstones of Nottingham’s film culture. Hosted by Broadway cinema, each year it brings a fascinating flavour of niche film-making to a wider audience. This is the perfect opportunity to broaden your horizons, but more than this, it’s a must-see event for film-enthusiasts full-stop. With...

Given the tragic passing of Robin Williams, many critics have shown a sudden interest in his earlier work. Of the plethora of Williams classics, one in particular stands tall. First released in 1989, Dead Poets Society was that rarest of beasts, a critical and commercial success. But what does...

D.H. Lawrence’s taboo novel is well-known for its racy content. Despite being written in the early 20’s, Chatterley’s Lover wasn’t published in Britain until the 1960s. However, translating ‘erotic’ moments from page to screen isn’t easy. How do you draw the line between artistic and gratuitous? BBC One took-on...