Tom Watchorn

Our newest feature brings you all the latest films in one place! Does A Bigger Splash live up to its name? Does Dad’s Army touch a nerve? Tom brings you quick-fire opinions on the hottest new releases. A Bigger Splash It’s incredibly difficult to render certain feelings effectively on screen, yet A Bigger Splash renders...

On Thursday 11th February, Labour leader Jeremy Corbyn visited the Frink Exhibition at Nottingham’s Lakeside Arts Centre before moving to deliver a speech for the University of Nottingham’s (UoN) Labour Society and general Labour supporters. After succeeding Ed Miliband and assuming party leadership in September 2015, Corbyn has sought...

Our newest feature brings you all the latest films in one place! Is The Big Short the anti-Wolf of Wall Street? Does Spotlight thrill as it informs? Tom brings you quick-fire opinions on the hottest new releases. Airlift Depicting the 1990 evacuation of 165,000 Indians from Kuwait following its invasion by Iraq, Airlift could...

Our newest feature brings you all the latest films in one place! Did The Hateful Eight live up to expectation? Is Joy a front-running Oscar contender? Tom brings you quick-fire opinions on the hottest releases.   The Danish Girl A film whose archness defines it as much as scuppers it, The Danish Girl...

‘Twas two nights before Christmas, when Max in despair, Tore his letter to Santa Claus into the air; His anger at family, little did he know, Would release an ancient force from out of the snow. At each other’s throats, as only fam’ly are, Max finally breaks, as they...

Since Bob Dylan’s ‘Bootleg Series’ popularised the format, any artist sufficient in stature and back catalogue is now almost obligated to author an archival series of rarities and live tracks. Young’s variant, the appropriately monikered Neil Young Archives Performance Series, has been kicking around since 2006 and so far...

Though inherently an incredibly manipulative medium, film becomes doubly so when scores and soundtracks play a prominent role; the site of intersection between image and sound is by turns cynically prescriptive and sentimentally liberating. From the taut strings of Psycho (1960) to the exhilarating rush of Bowie’s ‘Modern Love’...