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IDLES have created more of their trademark energetic post-punk that feels part of a unified vision, but all that chest-beating can leave it's bruises.... -
Myron Winter-Brownhill reviews Declan McKenna's new album, 'Zeros'.... -
Joe Hughes reviews The Magic Gang's 'Death of the Party'... -
Rhianna Greensmith As the first release since their critically acclaimed debut album Good at Falling, The Japanese House (project of solo artist Amber Bain) wows again. Where Good at Falling was her self-labelled break-up album, this EP masquerades as a stunning portrait of ‘coming out of a relationship and... -
Sixteen years after its original release, and fourteen studio albums later, Ryan Adams has put out a deluxe reissue of his first, and most adored LP – Heartbreaker. Heartbreaker was Adams’ first solo effort after disbanding from Whiskeytown, the 90s alt-country outfit from North Carolina. This deluxe reissue contains... -
I’ve always thought White Lung sound a little bit like The Subways, and maybe Hole – some of the vocal melodies seem almost interchangeable. It’s not a strong resemblance and no rip off, but somewhere in my auditory cortex, there is a link made. “It all sounds the same”... -
As a complete newcomer to Julianna Barwick’s music, I decided to avoid doing any background research on the Louisiana-born musician. I imagined that I’d be able to approach her latest record, Will, free from expectation. However, as I began to listen, I realised that I’d subconsciously built up preconceptions...
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March 6, 2025 -
