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There was a time, before the emergence of the single origin pour over and pop up Peruvian beard salon, that getting smashed in Hoxton had a very different meaning. The East End of London in the 1960s, as seen through the eyes of Octopussy’s General Orlov (writer Stephen Berkoff),...
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Admittedly, sketch shows aren’t something I’ve ever considered my cup of tea. Imagine my surprise, then, when presented with a smart, but not alienating, series of short, comedic sketches suspended by pleasantly self-aware actors with a great rapport. Sketchy Characters, the second show in New Theatre’s Fringe season, makes...
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Gus Herbert’s production of Miller’s famous play A View From The Bridge does justice to this tragic tale of flawed and helpless characters navigating their way through a sinister, gritty world. Captivating the audience throughout, the play leaves its viewers questioning and reflecting after the last bows have been...
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After a week of sex and mothers, New Theatre’s third in-house production transitions to the polar opposite with the first of the season’s classics, Arthur Miller’s A View from the Bridge. Impact talks to director Gus Herbert to discuss his adaptation of the well-known classic. What’s the play about?...
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From the first minutes you can feel Sex Cells working. We open with individual spotlights on four women speaking dryly into headsets answering inquiries concerning sex dolls and dildo sizes (“They come in small, medium and liar”) before the lights rise on the beautifully designed office set of the...
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Have you ever had an arts problem that you just can’t get your head round? As a tortured, misunderstood artist there doesn’t seem to be any place to go and solve those arty issues that plague your life. We feel your pain. Well, Impact Arts are here to save the day...
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The second show of Nottingham New Theatre’s 2015 Autumn season is underway and promises to be full of everything a student a student should love – gossip and sex! Impact Arts interviews producer Anna Scholes, and director Will Berrington in his directorial debut of Anna Longaretti’s newest play. First,...