• Fantastic Beasts: I Didn’t Really Like It

    WARNING: MANY SPOILERS AHEAD. DO NOT READ IF YOU DON’T KNOW YOUR NEWT FROM YOUR NIFFLER. We all love Harry Potter, the books undoubtedly, but the films even more so. If not for their cast of fantastic British actors in iconic roles, then certainly for the casting of unknowns...
  • Film Review – Me Before You

    Romance + disability + convention = cloyingly saccharine + Emilia Clarke = heart-warmingly sweet.  That’s the formula upon which Me Before You is built. Mawkishly and expectedly drowning out its audience with old-fashioned sentimentality, but doing it with Emilia Clarke at your service, is the best way of reversing that...
  • TV Review – Top Gear

    Top Gear is back with new hosts, a new track and the highest expectations of any revamped show ever! Let’s start with the titles. The overall style and theme song remained the same, but incorporated more cars and fewer explosions. This indicated a series closer to the original 70/80’s Top...
  • Is There a Point to Holocaust Dramas in 2016?

    Liam Inscoe-Jones and Beth Rowland discuss the place of Holocaust dramas in modern society and cinema, and whether the lessons of history can still be borne through an entertainment form. Yes Son Of Saul is a 2015 Grand-Prix winning Holocaust drama from director László Nemes. It is one of most...
  • Film Review – Heart of a Dog

    Last night she dreamed she was pregnant. She dreamed she was giving birth. The doctors handed her the new-born in a blanket. It was her dog. A Rat Terrier, specifically. But of course for the dog to come out, the doctors had needed to get the dog in first....
  • Film Review – X-Men: Apocalypse

    In a year where the superhero genre has arguably hit the heights of greatness (Captain America: Civil War) and the depths of the cesspit (Batman v Superman: Dawn of Justice), X-Men: Apocalypse provides a safe middling entry to the list. The weakest of Bryan Singer’s four contributions to the...
  • Film Review – Green Room

    Jeremy Saulnier is one more step towards mastering the grim and deadly. This is a director who pulls no punches and tells his stories with the intention to dishearten. We saw it with Blue Ruin, and we’re seeing it again with Green Room. It is the story of a...