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A captivating and humorous, Once Upon a Crime was the perfect blend between murder mystery and comedy. The deeply detailed set, creative use of lighting, and witty dialogue engendered an immersive and playful production, unafraid to dabble in the meta for help in solving the crime or cracking a...
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From the 26th to the 28th of March Nottingham New theatre was home to a ‘queer, punk extravaganza’ in Nay Dhanak’s ‘Pain Threshold’. The story follows queer love and gender expression told via emotional monologue, quick wit, and punchy covers of Ezra Furman’s music. Impact’s Olivia Hughes Reviews....
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Between 22nd-25th March, Nottingham New Theatre summoned one and all for jury duty, to decide whether Leonard Vole was guilty or innocent, in their gripping adaptation of Agatha Christie's Witness for the Prosecution. Amy Child reviews....
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I’m sure I need not go into the nitty gritty of the plot. Suffice to say it is the tragedy to end all tragedies, a tale of death, betrayal, love and madness set in the backdrop of the 14th century Danish court. Kit Sinclair went down to the Nottingham...
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The University of Nottingham's very own New Theatre (NNT), have put on a wide range of shows over the last term. The Defamation ran from 4th-6th December. Impact's Amy Child viewed this production, and reviews....
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Alan Ayckbourn’s Bedroom Farce was a smash hit on London’s West End in the late 1970’s and – in typical Ayckbourn fashion - is a black comedy set in the domestic sphere. It follows four couples (Ernest and Delia, Nick and Jan, Malcolm and Kate and Trevor and Susannah)...