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After the exploration of racial politics of ’60’s suburbia in The Help, director Tate Taylor has turned to another iconic aspect of the 1960s American landscape – the music. More specifically, the sheer energy and rambunctiousness of James Brown. Initially limited to predominately black audiences, Mister Brown gradually became increasingly influential...
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Make love, not war. In Edge of Tomorrow there’s a bit of both, but the film balances them surprisingly well. Set in the near future and telling of a Dunkirk-esque alien invasion that (sort of) wipes out mankind, I hadn’t originally held out much hope for this sci-fi effort, as it...