• Annie @ Theatre Royal

    This week, Impact was lucky enough to be invited to see the opening night performance of Annie at the Nottingham Theatre Royal. Nearly everyone has seen the film or knows the story of the redheaded orphan’s search to find her true family. Quite simply, this production is the revision...
  • Film Review: A Star Is Born

    Watching the trailer for Cooper’s A Star Is Born left me feeling underwhelmed; it looked like another cringey rom-com which I usually cannot stand. However, after some persuasion and cinema tickets at the Savoy Cinema only costing £4.85, I went to see it and I was left in shock...
  • Murder For Two @ Theatre Royal

    With plenty of energy to keep you on their toes, this comedy duo didn’t fail to keep a smile on their audience’s faces from start to finish. The “hysterical blend of music, mayhem and murder” of a musical follows two actors who play 13 characters between the two of them,...
  • Titanic The Musical @ Theatre Royal

    Make no mistake, Thom Southerland’s Titanic The Musical is nothing like the 1997 James Cameron film – except for the fact that the ship does, inevitably, sink. This chamber version by Maury Yeston (music and lyrics) and Peter Stone (story and book) has a cast list of 25 excellent...
  • MissImp @ Nottingham Playhouse

    It’s difficult to review an improv show without reviewing the genre as a whole. Reliably hit-and-miss, a group of people roaming through sketches or songs in search of a punchline is glorious when it comes off, and not much better than awkward when it doesn’t. So to enjoy any...
  • Lysistrata @ Lakeside Arts

    The sixth collaboration between Lakeside Arts and Nottingham New Theatre presents a hilarious take on Alan Sommerstein’s translation of Lysistrata. The play incorporated singing, dancing, water pistols and even plastic penises, that kept the audience laughing from start to finish. Five years ago, Lakeside Arts and Nottingham New Theatre...
  • No Woman’s Land @ Nottingham Lakeside Arts

    Described as a “politically charged nod to 1920s Kaberett”, focus on this form ends up undermining the political messages of No Woman’s Land, and while the play (or more accurately, performance piece) retains a fingerfull of redeeming features, it is by and large an incoherent mess. In 2015, Zoo...