Latest in: Arts Reviews

Written by Ming Ho and directed by David Jiang, Citizens of Nowhere? makes a powerful statement on contemporary racial issues whilst disguising itself as a fly-on-the-wall domestic comedy. The play came to the Nottingham Lakeside Arts for one night only on the eve of Chinese New Year as part...

The Theatre Royal hosted the Royal Shakespeare Company’s recent adaptation of William Shakespeare’s timeless love story Romeo and Juliet. Despite being more than 400 years old, Director Erica Whyman has managed to transform this classic into a fresh and engaging play about our world today. From the set, music,...

Having heard rave reviews of Blood Brothers from my aunt a few years ago, I jumped at the chance to see the show for myself and was lucky enough to be able to review it. Knowing only a very basic plot line, this adaptation of the 1983 musical lived up...

The grandiosity of the architecture at the Royal Theatre in Nottingham parallels the middle-class pomposity Sandi Toksvig embodies throughout her ‘National Trevor’ show. The two-hour long performance, or ‘conversation’ as Toksvig defines it, is inundated with references to pinnacles of middle class existence from golf lessons to discussions of...

I had high expectations for Hard Truths, as I had previously seen a show by UoN Improv Society and thoroughly enjoyed it, and I was not disappointed. UoN Improv Society do what the name suggests – create an entirely improvised performance on the spot – no pressure! There were...

Peter James’ The House On Cold Hill, starring Joe McFadden and Rita Simons, opened its run at the Theatre Royal on Monday 28th to an audience of mixed reception. To some, a compelling blend of drama, thriller, horror, and comedy, and to others, a drama lacking in the scare-factor...

Daniel Morris’ Deliria is a heart wrenching tale of familial bonds, shrouded in the complexities of illness and survival amidst the dark urban future setting. “I entered rather apprehensive with only the knowledge of the vague plot brief” One always enters an unknown play with caution. The poster (by...