• Film Review: Murder on the Orient Express

    Murder on the Orient Express is a film that does what it says on the tin: it is about a murder on a train. However, there is much more to this mystery than meets the eye. Twentieth Century Fox certainly didn’t scrimp on the budget, with a star studded cast...
  • London Korean Film Festival: In Between Seasons

    An Indie drama about damaged relationships and the twin processes of forgiveness and repentance, In Between Seasons boasts an absorbing plot and a solid cast. While it is unnecessarily slow in some parts, the feelings of warmth and affirmation it leaves us with are worth the wait. In Between...
  • Medea @ NNT

    Medea is a Greek tragedy written by Euripides and first performed in 431 BC, therefore it has a long legacy of performances and adaptations. With this performance in particular, the director (Emma Fearon) and producer (Emily Wong) have chosen to alter the tragic Greek conventions in some ways to...
  • Asian Film Bucket List: Pink

    Pink is a feminist film that covers all bases, from universal issues of victim-blaming and rape myths to more specifically Indian ones, such as stereotypes faced by North-East Indian women. It succeeds as a social commentary without sacrificing character development, ensuring we feel each victory and loss of its...
  • Film Review: Call Me By Your Name

    The tragedy of Call Me By Your Name is always in plain sight. A guest who comes must eventually go, and the headiness of summer will inevitably end. Summer flings aren’t bound to last, even if you are only seventeen and have never wanted anything, or any person, so...
  • Album Review: Maroon 5- Red Pill Blues

    Following the release of their seminal breakthrough record Songs About Jane, Maroon 5’s career has been a mixed bag. For every major hit (‘Moves Like Jagger’), there’d be forgettable filler (‘Daylight’), and some of their best songs (‘Payphone’) have been marred by unnecessary rap sections. And as the band...
  • Northern Ballet’s The Little Mermaid @ Nottingham Theatre Royal

    Very few fairy tales pose the challenges to staging that The Little Mermaid does, and I must confess I was rather confused as to how a story partially set underwater where the protagonist has a fish’s tail instead of legs would work as a ballet. However, I was wrong...