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Abigail Clark The latest instalment from one of todays most ambitious and experimental directors did not fall short on its promise of head-scratching time manipulation and impressive action sequences – yet many argue that Nolan’s latest film Tenet is not his greatest film to date. Upon first viewing I...
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Annabel D’Monte Over the past year there has been a proliferation of true crime documentaries released on both television and streaming services alike. From six part dramas to anthology series, they have all been incredibly popular and often part of the top 10 list on Netflix for at least...
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Jerome Gerada As the world we live in gradually devolves into more of a twisted dystopia by the day, audiences may feel at ease settling into the fictional world of Arrakis, the main setting for Denis Villeneuve’s new film adaptation, Dune. The 1965 novel, from the creative mind of...
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Disney+ is hard at work on a slew of shows set in the MCU that expand on existing characters (WanadaVision, Hawkeye) and introduce new ones (Moon Knight, She Hulk). With most of these shows years away (or longer. Thanks, COVID) I thought I’d recommend the comic runs that inspired...
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Jack Richardson In this final part we look at the House of Mouse’s long, problematic road to good representation in its shows, and how TV animation like the Owl House is now setting an example for Disney’s big screen projects to follow. Disney Animation The Owl House, Gravity Falls,...
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Jack Richardson After Netflix’s screw ups in Part 3, Part 4 covers how they moved forward after Voltron Legendary Defender and redeemed themselves, by becoming home to one of the biggest queer success stories in animation in She-Ra and the Princesses of Power. Netflix (Part 2) She-Ra and the...
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Jack Richardson Netflix is home to some quality cartoons, but not all of them can stick the landing. Part 3 covers the unfortunate story of how not to handle representation, and the toxic fallout that can follow. Netflix (Part 1) Voltron Legendary Defender Dreamworks’ Voltron Legendary Defender (2016-2018) was...