• Is There a Point to Holocaust Dramas in 2016?

    Liam Inscoe-Jones and Beth Rowland discuss the place of Holocaust dramas in modern society and cinema, and whether the lessons of history can still be borne through an entertainment form. Yes Son Of Saul is a 2015 Grand-Prix winning Holocaust drama from director László Nemes. It is one of most...
  • Film Review – Heart of a Dog

    Last night she dreamed she was pregnant. She dreamed she was giving birth. The doctors handed her the new-born in a blanket. It was her dog. A Rat Terrier, specifically. But of course for the dog to come out, the doctors had needed to get the dog in first....
  • Trailer Watch – Beauty and the Beast

    It’s finally here; the long-anticipated addition to the new set of accumulating Disney live action remakes, which includes the hugely popular Maleficent (2014) and Cinderella (2015). The official trailer for the magical Beauty and the Beast (2017) does not disappoint. From the outset of the trailer, where the soft...
  • Film Review – X-Men: Apocalypse

    In a year where the superhero genre has arguably hit the heights of greatness (Captain America: Civil War) and the depths of the cesspit (Batman v Superman: Dawn of Justice), X-Men: Apocalypse provides a safe middling entry to the list. The weakest of Bryan Singer’s four contributions to the...
  • Film Review – Green Room

    Jeremy Saulnier is one more step towards mastering the grim and deadly. This is a director who pulls no punches and tells his stories with the intention to dishearten. We saw it with Blue Ruin, and we’re seeing it again with Green Room. It is the story of a...
  • Film Review – Captain America: Civil War

    When a studio spends years building up a release that is set to feature an ensemble cast, based off a hugely successful comic book, bring in crucial new characters, and gives away details in marketing material, it is quite easy for the final product to end up being completely...
  • Film Review – Demolition

    Demolition is a film defined by its contrivances, critically and promotionally; talk of the movie has been dominated by the novelty, and sometimes derived for the ‘wackiness’ of its central premise. Jake Gyllenhaal plays Davis, a man who loses his wife in a car crash and, having never been...