• Wonderful Wonderful- The Killers Album Review

    Wonderful Wonderful sees The Killers return after five years looking to make amends for a long and drawn out fourth album that lead singer Brandon Flowers called “not good enough”. And in many ways, it does this. Every bit as epic as 2012’s Battleborn, Wonderful Wonderful even attempts to showcase some evolution via variation in the band’s style that has been a long time coming. Whilst being different, Wonderful also manages to fizz and pop with...
  • Love What Survives – Mount Kimbie Album Review

    Dominic Maker and Kai Campos, two halves of a whole Mount Kimbie, pioneered the post dubstep sound over a decade ago when they broke away from bassline and old school two step drum patterns, and began experimenting with more floating, playful sounds. With two critically acclaimed albums already under...
  • Album Review: King Gizzard & The Lizard Wizard – Sketches of Brunswick East

    Emerging from the smouldering, eldritch ruins of King Gizzard’s Murder of the Universe, the Aussie psych-powerhouse’s third album of 2017 beckons the listener into an entirely different experience. While King Giz are no strangers to variety, the sonic transition between their last three albums and Brunswick East is like...
  • Album Review: Neck Deep- The Peace and The Panic

    Leaps and bounds above their debut full-length Wishful Thinking, 2015 follow-up Life’s Not Out to Get You proved that Neck Deep aren’t a one-trick pony. With The Peace and the Panic the Welsh quintet flex their creative muscles even further, but this increased experimentation means the record sometimes suffers...
  • Album Review: Superfood- Bambino

    Offering another healthy if sometimes unpalatable dose of nostalgic eighties- and nineties-influenced indies rock, Superfood’s second record Bambino take the band to all-new highs, but the newly-condensed band (only two out of the four original members remain) still haven’t managed to cut the filler – an issue which plagued...
  • Gallery 47, Adversity Breeds : Album Review

    It’s hard to scoff at lesser-known artists (a UoN alumnus, no less) who have toured with big names such as Paul Weller, but Gallery 47’s fourth full-length is more repetitive, forgettable and sometimes downright awkward than his previous effort, Clean – and unfortunately the record’s few saving graces aren’t...
  • The New Age of PVRIS: All We Know Of Heaven, All We Need Of Hell

    Hailing from Lowell, Massachusetts, PVRIS (pronounced “Paris”) have come a long way since releasing their debut album, White Noise, in 2014. Made up of lead singer Lyndsey Gunnulfsen (Lynn Gunn), guitarist Alex Babinski, and bassist Brian MacDonald, this alt-rock trio have truly made their mark. With their signature blend...