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In one of her final articles for Impact Magazine, Amrit Virdi fittingly takes the opportunity to take a step back in time to her teenage-hood, and reviews the discography of the world's biggest boyband, One Direction....
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Boyband icon turned solo Coachella headliner, Harry Styles, has been praised since 2010 for his effortless easing into the 'rockstar' lifestyle of fame, with comparisons to the likes of Mick Jagger consistently drawn. 2022 saw Styles return with his third solo album, titled 'Harry's House', and, akin to the...
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Foals' seventh studio album is a departure from the grungier sounds of 'What Went Down' and 'Everything Not Saved Will Be Lost' ('I' and 'II'), but will embed itself within the Foals' disography with ease; a mature and developed album that feels like an absolute triumph. Alex Tearle reviews......
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Kendrick Lamar's much-anticipated fifth studio album takes the listener on a very raw, complex journey, making this a highly personal piece of musical art. The album consists of two volumes, 'Mr. Morale' and 'The Big Steppers', with 18 songs. Hannah Bentley reviews....
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Inspired by the very real social phenomenon of Choreomania- a 'dancing plague', which beset medieval Europe, and caused its victims to dance themselves to injury or death- Florence + The Machine's fifth album, 'Dance Fever', gives up the band's most mature sound to date, and Florence Welch's most personal...
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Blossoms' third studiio album feels like a continuation of their much-loved style, a well written and realised album that, though definitely a fan favourite, feels very safe, and echoes many of the same issues the band have faced with their previous efforts. Alex Tearle reviews......
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King Gizzard and the Lizard Wizard are known for producing an inordinate number of albums (with four in 2017 alone), but the band prove they still have much more to offer the world of psychedelic rock, with some awesome microtonal beats and riffs that feel like love letters to...