• TV Review- Hannibal Series 3

    Hannibal’s third season had a shaky start. Throughout the show’s airtime it was on the precipice of cancellation but to the relief of all “Fannibals” out there a third season was green lit; considering the manner in which season 2 came to an end we can all be hugely...
  • Attractions: What do FKA twigs and Silent Cinema Have in Common?

    On the 13th of August, FKA twigs released her third EP M3LL155X (reviewed here). Possibly more interestingly, a self-directed 16½-minute promo film was released simultaneously. This short is elsewhere rightfully being discussed as a standalone work of art, but it is also interesting for what it is indicative of...
  • Impact Film & TV News

    Because you’re all too busy at the cinema to keep on top of things, Impact Film & TV is here to provide you with a regular breakdown of some of the most important developments in the world of Film and TV… Nottingham Scalarama Festival With the summer holiday drawing...
  • Film Review – Fantastic Four

    In 2005, Tim Story gave us The Fantastic Four, followed in 2007 by Fantastic Four: Rise of the Silver Surfer. Both films were fun but critically ridiculed and the planned third outing was never made. Eight years later, with Chronicle director Josh Trank now at the helm, the Fantastic...
  • Showing Not Telling – ‘Atomic: Living in Dread and Promise’ and TV Documentaries

    With a critical response size probably disproportionate to its viewing figures, Mark Cousin’s cine-docu-essay-poem Atomic, Living in Dread and Promise aired on Saturday as part of the BBC’s coverage remembering the Hiroshima and Nagasaki bombings 70 years ago. The manner in which the film was constructed, while typical of...
  • Film Review – Mission Impossible: Rogue Nation

    Bearing in mind this new release is the fifth instalment in the series, it would be easy to think that the franchise should have fizzled out by now, ready to be put down like a dog that has lived its life to the fullest. However, Mission Impossible: Rogue Nation...
  • Rewind Review – The Lady From Shanghai

    Orson Welles was weighty. I think that’s universally agreed. Influence-wise, in terms of mythologising and the shadow cast over subsequent Hollywood studio artistry, for sure. Corporeally also, later in life. But additionally in content; often lean in running time, Welles pictures nevertheless feel monolithic. Sometimes for the technical bravura...